KATHERINE ROSE VINCE
P E R F O R M A N C E
My Companies
TWISTED REALITY PRODUCTIONS
Twisted Reality Productions are devising duo Paul Andrew Goldsmith and Katherine Vince. Twisted Reality's focus is creating immersive and performance events - be this based on popular TV series such as Fawlty Towers, or for immersive Murder Mystery dinners. We launched the company as a result of The Wilderness Reserve in Suffolk requesting we create specific events to cater for their private and corporate parties and we are now open to take bookings UK wide. Twisted Reality are also responsible for the success of The Polar Express Immersive Train Ride 2019 on the Mid-Norfolk Railway.
FERAL FOXY LADIES
I co-founded the feminist theatre company Feral Foxy Ladies in 2014 with Claire Stone. Since forming we have received critical acclaim from The Scotsman, Edinburgh Spotlight, Total Theatre and A Younger Theatre for our debut performance I GOT DRESSED IN FRONT OF MY NEPHEW TODAY at VAULT Festival 2016 & Edinburgh 2015. Since securing our second Arts Council Grant for The Arts we embarked on the creation of BALANCING ACTS with Kaleido Film Collective, a solo-performance about experiences of and coping mechanisms for depression. BALANCING ACTS premiered on 7 December 2016 at Camden People's Theatre and showcased at VAULT. Festival 2017. We have just developed a new show that explores love, lust and loss - I WOULD LIKE TO GET TO KNOW YOU - which showcased at VAULT 2019 to critical acclaim.
https://twitter.com/feralfoxyladies
THE SUN APPARATUS THEATRE COMPANY LTD
The Sun Apparatus is an international performance company. We focus on creating absurbist comedy which tackles social issues. I founded the all-female company with three other MA graduates in 2013. Since forming we have produced two performances, UNPRESCRIBED & THE ME, received critical acclaim from Edinburgh Spotlight, Plays To See & Broadway Baby and secured two Grants for The Arts from Arts Council England. We are currently developing a new show that explores physical and personal garbage.
I believe there is great strength in working as a core part of different ensembles. It allows creativity to flow in a variety of directions. Though for each company I draw on a similar skillset, the production possibilities that arise from the very different collaborations allows me to entertain and reach different audiences. Why exist in one box?